Friday, June 6, 2014

10,000 B.C.

Saber-tooth cats, mammoths star in 10,000 B.C.




10,000 BC (film)
From Wikipedia, the free encyclopedia
10,000 BC
Ten thousand b c.jpg
Theatrical release poster
Directed by Roland Emmerich
Produced by Roland Emmerich
Mark Gordon
Michael Wimer
Written by Roland Emmerich
Harald Kloser
Starring Steven Strait
Camilla Belle
Cliff Curtis
Joel Virgel
Nathanael Baring
Affif Ben Badra
Marco Khan
Tim Barlow
Narrated by Omar Sharif
Music by Harald Kloser
Thomas Wander
Cinematography Ueli Steiger
Editing by Alexander Berner
Studio Legendary Pictures
Centropolis Entertainment
Distributed by Warner Bros. Pictures
Release dates
March 7, 2008
Running time 109 minutes
Country United States
Language English
Budget $105 million
Box office $269,784,201[1]
10,000 BC is a 2008 American epic fantasy adventure film from Warner Bros. Pictures set in the prehistoric era. It was directed by Roland Emmerich and stars Steven Strait and Camilla Belle. The world premiere was held on February 10, 2008 at Sony Center on Potsdamer Platz in Berlin.[2][3] General release was on March 7, 2008.

Contents  [hide]
1 Plot
1.1 Alternate ending
2 Cast
3 Visual and sound effects
4 Production
5 Language
6 Critical reception
7 Influences of other works
8 Box office performance
9 DVD release
10 See also
11 References
12 External links
Plot[edit]
In 10,000 BC, a tribe of hunter-gatherers called the Yagahl live in a remote mountain range in the Urals and survive by killing woolly mammoths, which they call "mannaks." D'Leh, a young hunter, has a companion named Evolet, an orphan who was found by the tribe. D'Leh, while hunting mammoths, manages to kill one and wins the "White Spear." He also wins Evolet in marriage, but feels he deserves neither since he killed the mammoth by accident.

The village is led by a hunter who has proved his bravery by killing a Mammoth, and taking the White Spear. The people also strongly venerate an elderly woman, called Old Mother. Because of her different appearance to other humans in the village, it is assumed she is a Neanderthal, the "last of her kind," living with the Homo Sapiens of the village.

One day, D'Leh and several others are away when horse-raiders called the "Four Legged Demons" attack the Yaghal camp. The horse raiders enslave Evolet; D'Leh, Tic'Tic, KaRen, and Baku pursue them to save her. They enter a rainforest where they catch up with the raiding party. During the night, D'Leh rescues Evolet, but as they are trying to escape from the pursuing raiders, they are attacked by a large pack of terror birds. Tic'Tic gets wounded and Baku, Ka'Ren, Evolet are re-captured. Continuing on, they meet others whose loved ones were taken by the raiders. D'Leh and Tic'Tic befriend Nakudu, leader of the Naku tribe. He tells D'Leh of a prophecy: whoever talks to a Smilodon that they call the "Spear-Tooth" will help free their people. D'Leh had earlier saved the Spear-Tooth from drowning in a trap and it had spared his life. D'Leh realizes the prophecy was about him. Nakudu explains that his loved ones were taken in the "Great Red Birds," ships with large red sails, to the "Mountains of the Gods," from which no one has ever returned. They then come together with other tribes, who agree to form a coalition to pursue the raiders.

They find the ship with red sails holding Evolet and Baku. With no means to follow the ships, they journey through a vast desert, discovering an advanced civilization similar to ancient Egypt, ruled by an enigmatic figure known as "The Almighty," who is said to be the last survivor of his kind. It is implied in the script that he is a survivor of the fall of Atlantis, a civilization vastly more advanced than any other society at the time. The Almighty, who is regarded as a living god, possesses many thousands of slaves that he is using to build a huge pyramid complex in his honor. D'Leh finds an escaped servant of the Almighty and notices he is wearing a bracelet worn by D'Leh's father. D'Leh's father left his tribe for food and found the Naku tribe before being stolen by the raiders. In a night attack, the guards of the slaves discover D'Leh behind a pyramid. Tic'Tic dies from injuries sustained while killing the guards before they raise the alarm. Meanwhile, the Almighty's priests discover Evolet bears scars on her hand patterned after the "Mark of the Hunter," the constellation Orion. The priests believe it is part of a prophecy that whoever wears the mark of the Hunter is destined to kill The Almighty. D'Leh starts a full-scale rebellion among the slaves. They cause the mammoth herd used in building the pyramid to stampede, killing a large number of troops.

The Almighty offers Evolet to D'Leh in exchange for abandoning his rebellion. The Almighty says that if D'Leh takes his wife, his warriors can return, but the rest must be his slaves forever. D'Leh feigns acceptance of the deal which allows him to throw a spear at The Almighty and kill him, proving that he is not a god. During the ensuing battle, the raider obsessed with Evolet kidnaps her on horseback. Evolet grabs an arrow and stabs the warlord in the side, knocking them both off the horse. D'Leh rushes towards her, but the raider shoots her in the back with an arrow. D'Leh kills him and returns to Evolet, and she dies in his arms. The scene shifts to the tribe's wise woman as she breathes in deeply and then breathes out her last breath. The scene then returns to D'Leh still holding Evolet's body when she suddenly comes back to life, restored by the wise woman's sacrifice. They depart for home and bid farewell to the other tribes.

Alternate ending[edit]
In an alternate ending, the scene shifts forward many years into the future, showing Baku's retelling of the story by the camp fire. It ends with a child asking what had happened to the "Mountains of the Gods," and Baku responds, "They were taken back by the sands. Lost to time, lost to man."



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This pyramid building civilization has many similarities to both the ancient Egyptian civilization and also to the civilizations of Mesopotamia (which you probably mean with Persian-like). From those two the latter is/are actually a bit older and marks the beginning of city building. But nevertheless such large buildings as the Egytian pyramids or the Mesopotamian ziggurats didn't emerge before about 3,000 BC (neither did they in other parts of the world, like America) and in the time of the movie people were still wandering around in small tribes, much more like D'leh's tribe and all those he encounters on his way.

So I think this civilization is rather made-up by Roland Emmerich, though surely influenced by the ancient Egytian civilization (that already influenced his Stargate) and maybe a bit of the ancient Mesopotamian civilizations. But in this time it is an utter anachronism. Emmerich somehow used the fact that the records of this time are rather scarce as a possibility to be a bit creative.

It is actually hinted in the movie that this civilization is connected to Atlantis (which we all know was a civilization that was way ahead of time ;)), when it says that The Almighty and his followers come from a realm sunken into the seas and later when you shortly see a map that has a large island next to africa.

So in fact it has a strong link to a civilization that is rumoured (not by serious scientists however) to have existed in that time, but not to a real proved civilization at that time, though strongly influenced by later existing civilizations. And D'leh's tribe and all the other rather primitive tribes are a more accurate depiction of the civilizations at this time.

EDIT: As a side note, the ending of the movie can be seen as a more or less accurate allusion to the development of civilizations during that time: When the tribe D'leh met during his adventure gives him a bunch of seeds to thank him, D'leh's tribe starts planting crops intead of (or in addition to) hunting. And it was indeed around 10,000 BC (though varying by region) when nomadism was replaced by agriculture, which of course formed the prerequisits for permanent settlement (and thus modern civilizations).

In conjunction with the harder and harder gathering of food and the tribe's starving depicted at the beginning of the movie this provides a general look at the overall civilizational development and its reasons during this time period and gives the movie a somehow historically accurate main theme, with D'leh's particular adventure being just an anachronistic interlude for the sake of entertainment.
Cast[edit]
Steven Strait as D'Leh (an anagram for "Held" which is in German, Dutch and Afrikaans the word for "hero"[citation needed]), a mammoth hunter.
Camilla Belle as Evolet (an anagram for "t(h)e love"[citation needed]), D'Leh's love interest and the only survivor of a tribe which was killed off by the "Four Legged Demons" (fierce warriors on horseback). She is unique as she has blue eyes.
Cliff Curtis as Tic'Tic, D'Leh's mentor and friend.[4]
Joel Virgel as Nakudu, leader of the Naku tribe.
Affif Ben Badra as Warlord, leader of the "Four Legged Demons."
Mo Zinal as Ka'Ren
Nathanael Baring as Baku
Marco Khan as One-Eye, Warlord's main henchman.
Mona Hammond as Old Mother, the Yagahl wise old woman.
Joel Fry as Lu'Kibu
Reece Ritchie as Moha
Junior Oliphant as Tudu, Nakudu's son.
Kristian Beazley as D'Leh's father, who had lived with the Naku tribe and learned agriculture from them.
Boubacar Badaine as Quina, leader of another tribe.
Tim Barlow as The Almighty, a tall, blue eyed man who dresses in long white robes and a face-concealing veil. He is the last of three kings, and the last of the Atlanteans.
Omar Sharif as Narrator
Emmerich opened casting sessions in late October 2005.[5] In February 2006, Camilla Belle and Steven Strait were announced to star in the film, with Strait as the mammoth hunter and Belle as his love.[6] Emmerich felt that casting well known actors would distract from the realistic feel of the prehistoric setting. "If like, Jake Gyllenhaal turned up in a movie like this, everybody would be, 'What's that?' " he explained. The casting of unknown actors also helped keep the film's budget down.[7]

Visual and sound effects[edit]
The mammoths in the movie were based on elephants and fossils of mammoths, while the sabertooth cat was based on tigers and ligers (a lion/tiger hybrid).[8]
The sounds made by the sabertooth cat in the movie are based on the vocalization of tigers and lions.[9]
Production[edit]
Director Roland Emmerich and composer Harald Kloser originally penned a script for 10,000 BC. When the project received the greenlight from Columbia Pictures, screenwriter John Orloff began work on a new draft of the original script. Columbia Pictures, under Sony Pictures Entertainment, dropped the project due to a busy release calendar, and Warner Bros. picked up the project in Sony's vacancy.[10] The script went through a second revision with Matthew Sand and a final revision with Robert Rodat.[6] Emmerich rejected making the film in an ancient language (similar to The Passion of the Christ or Apocalypto), feeling it would not be as emotionally engaging.[11]

Production began in early 2006 in South Africa and Namibia.[6] Location filming also took place in southern New Zealand[12] and Thailand. Before shooting began, the production had spent eighteen months on research and development for the computer generated imagery. Two companies recreated prehistoric animals. To cut time (it was taking sixteen hours to render a single frame) 50% of the CGI models' fur was removed, as "it turned out half the fur looked the same" to the director.[7]

Language[edit]
Dialect coach Brendan Gunn was hired by Emmerich and Kloser to create "a half dozen" languages for the film.[13] Gunn has stated that he collaborated informally with film lead Steven Strait to improvise what the languages would sound like.[14]

Critical reception[edit]
The film received largely negative reviews from critics, stating that the movie is mainly visual and lacks a firm screenplay. Critics noted that the film is archaeologically inaccurate and contains many factual errors and anachronisms. As of June 24, 2013, the review aggregator at Rotten Tomatoes has reported that 8% of critics gave the film positive reviews, based on 145 reviews with the consensus: "With attention strictly paid to style instead of substance, or historical accuracy, 10,000 BC is a visually impressive but narratively flimsy epic."[15] Metacritic reported the film had an average score of 34 out of 100, based on 29 reviews.[16]

Despite this, composer Thomas Wanker won a BMI Film Music Award for his work on the film.

Influences of other works[edit]
Glenn Whipp of the Los Angeles Daily News draws numerous comparisons between 10,000 BC and other films in the prehistoric and historic film genre, especially One Million Years B.C.[17] and Apocalypto.[18][19] A. O. Scott of The New York Times compared it to John Ford's film The Searchers and the animated film Ice Age.[20]

At the 2008 Wondercon, Emmerich mentioned the fiction of Robert E. Howard as a primary influence for the film's setting, as well as his love for Quest for Fire and the book Fingerprints of the Gods.[21]

The film was parodied in the opening scene of Disaster Movie.

Box office performance[edit]
In its opening weekend, the film grossed $35.8 million in 3,410 theaters in the United States and Canada, ranking No. 1 at the box office, and grossing over $22 million more than the film in second place, College Road Trip.[22][23] As of April 29, 2008, it has grossed approximately $268.6 million worldwide – $94.6 million in the United States and Canada and $174 million in other territories[24] – including $17.2 million in Mexico, $13.1 million in Spain, $11.3 million in the United Kingdom, and $10.8 million in China. This also makes it the first film of 2008 to surpass the $200 million mark.[25]

DVD release[edit]
The DVD of the film was released on June 24, 2008 in single disc editions of DVD and Blu-ray Disc in the United States. Best Buy released a 2-disc limited edition along with the DVD and Blu-ray Disc releases. It was released on July 21, 2008 in the United Kingdom.[26] The film grossed $31,341,721 in DVD sales, bringing its total film gross to $300,414,491.[27]

See also[edit]
List of American films of 2008
100 Million BC – A direct-to-DVD film by The Asylum
One Million Years B.C. – A similar film released in 1966

I walked down to the local theater earlier today to catch the latest Harry Potter movie, not expecting to see anything related to prehistoric animals. So imagine my surprise when, during the trailers, I saw this:


It was a trailer for an upcoming movie called 10,000 B.C., directed by Roland Emmerich of Independence Day and The Day After Tomorrow fame. I vaguely remember hearing about this movie a year or so ago, thinking it interesting but quickly forgetting it. I definitely had no idea it was already in production.

Any movie that features a saber-tooth cat already has won my ticket. But judging from the trailer, it also features a terror bird and mammoths. Lots of mammoths.

It's not shooting for realism, if the trailer is any indication. By 10,000 B.C., saber-tooth cats could only be found in the Americas -- if they were still around -- and terror birds had gone the way of the dodo. There also are several scenes in the trailer featuring the construction of the pyramids, using mammoths no less. You think they'd overheat in the desert with those thick shaggy coats. Anyway, the Egyptian pyramids do not date back to the Ice Age, despite fringe theories to the contrary.

Personally, I have no problems with the inaccuracies, as long as the producers market the movie as a fantasy rather than a historical drama. (In that sense, the world of 10,000 B.C. would be much like the Hyborian Age of the Conan stories.) The sad truth, however, is the director has been known to pass off psuedoscience as the real thing in his previous efforts, so prepare for a lot of BS to accompany B.C.The problem is 10,000 B.C. should been called Stargate10,000 B.C.It reads more it beyonds to the Stargate reality,but dosen't.The whole Atlantis bit,could explained as something to do with Stargates Atlantis.

What's the plot? This is the description from the trailer on YouTube: "It was a time when man and beast were untamed and the mighty mammoth roamed the earth. A time when ideas and beliefs were born that forever shaped mankind. 10,000 B.C. follows a young hunter (Steven Strait) on his quest to lead an army across a vast desert, battling saber tooth tigers [sic] and prehistoric predators as he unearths a lost civilization and attempts to rescue the woman he loves (Camilla Belle) from an evil warlord determined to possess her."

A high-definition Quicktime version of the trailer also is available.

I'm excited about the movie even though I know little about it and I've been unimpressed with Emmerich's other films. But when a big-budget movie about dinosaurs and other monsters is in theaters, book publishers usually try to cash in by publishing novels and anthologies about the creature in question. So check your local bookstore around March 7, 2008, when the film is scheduled for release.


Also, just a little trivia, this may be the first big-screen film since Sinbad and the Eye of the Tiger in 1977 to feature a saber-tooth cat. Yes, there were the Ice Age movies, but those were cartoons. The cats also featured in two truly awful direct-to-video films, as did a killer mammoth that was possessed by an alien lifeforce. All three aired on the SciFi Channel, known for its *cough* quality programming. *cough*

Update: Ain't It Cool News already has a review of the movie. Warning: Spoilers if you follow the link.
Posted by DoubleW at 11:45 PM

Return to Eden by Harry Harrison (1988)

Return to Eden by Harry Harrison (1988)

Note: This is the final book of the West of Eden trilogy, starting with West of Eden. Spoilers ahead if you haven’t read the first book, reviewed below.
Paperback cover blurb
In West of Eden and Winter in Eden, master novelist Harry Harrison broke new ground with his most ambitious project to date. He brought to vivid life the world as it might have been, where dinosaurs survived, where their intelligent descendants, the Yilane, challenged humans for mastery of the Earth, and where the human Kerrick, a young hunter of the Tanu tribe, grew among the dinosaurs and rose to become their most feared enemy. Working in collaboration with an international team of scientific experts, Harrisoncreated a believable, richly detailed world rivaling Frank Herbert’s Dune and Jean Auels’s The Clan of the Cave Bear in the majesty of its scope and conception.
Now, in Return to EdenHarrison brings the epic trilogy to a stunning conclusion. After Kerrick rescues his people from the warlike Yilane, they find a safe haven on an island and there begin to rebuild their shattered lives. But with fierce predators stalking the forests, how long can these unarmed human outcasts hope to survive? The small band of humans have no choice but to confront their fate head on. And, of course, Kerrick cannot forget Viante, his implacable Yilane enemy. She’s been cast out from her kind, under sentence of death, but how long will her banishment last? For her strange attraction to Kerrick has turned into a hatred even more powerful than her instincts – an obsession that compels her to hunt down Kerrick and kill him.
My thoughts
Return to Eden is the “threequel” that can be easily skipped without any worries that you have left the story arc started in West of Eden incomplete. Most of the plot threads are resolved in the second book of the series, Winter in Eden. The result is the characters inReturn to Eden have nothing to do, and the book lacks any real plot, instead reading like a grossly bloated epilogue of the first two novels. Kerrick, having made the world safe for humanity, now focuses on raising his family and finding a home for his tribe. The Daughters of Life slowly build their peaceful society in the Amazon. And Viante, now an outcast, plots her revenge. These separate storylines are drawn out over a tedious 400 pages, coming together in the end in a whopping anticlimax.
By now the alternate world of the Yilane has lost its charm, and the lack of any real story makes this book a difficult one to read through to the end. The science, which was dated when West of Eden was first published six years previously, was even more dated when Return to Eden hit bookstores. And Harrison seems to have lost interest in the setting he created. The novel feels like it was written mainly to fulfill a contractual obligation to the publisher to turn out a trilogy. Unless you have a burning desire to learn about the ultimate fates of many of the characters to the first two books, there is no reason to pick up Return to Eden.
Trivia
  • The entire trilogy was recently republished, although I’ve never had any trouble finding the original books in used bookstores.
Reviews
  • The Dedly Blog (more an overview of the trilogy than Return to Eden)
  • Editors Note;Originally,when began to revamp my Old Toreus the Slayer,I thought up a similar format as Eden series,being ignorant of the series.Prince Toreus Rhann,existed upon an alternate world where,a Hyborean Age like civilization existed side by side with dinosaurs.I wanted a more exiting Pellicidar,with not a primative Stone Age Society,but a more advanced one lie scene in the Conan stories,with bits  of John Carters Barsoom.Flying ships,rifles,fantastic creatures,beautiful woman-the whole ERB bit.Being a Burrough fan,I wanted Toreus to be as always a Tarzan type,having adventures among lost cities.I kept the Pangea still existing with a Hyborean Age/Barsoom/Tarzan's Africa,but transported it all to a more plausable version of the Hollow Earth called a Dyson Sphere.

Winter in Eden by Harry Harrison (1986)

Winter in Eden by Harry Harrison (1986)

Note: This is the second book of the West of Edentrilogy, starting with West of Eden. Spoilers ahead if you haven’t read the first book, reviewed below.
Paperback cover blurb
TWO BOLD CULTURES STRUGGLE FOR SURVIVAL…
WINTER IN EDEN
Harry Harrison, an acknowledged master of imaginative fiction, broke new ground in West of Eden. He brought to vivid life the world as it might have been, where dinosaurs survived, where their intelligent descendants challenged humans for mastery of Earth, where a young hunter named Kerrick grew among the dinosaurs and rose to become their most feared enemy.
Now, the awesome saga continues in Winter inEden… A new ice age threatens Earth. Facing extinction, the dinosaurs must employ their mastery of biology to swiftly reconquer human territory. Desperately, Kerrick launches an arduous quest to rally a final defense for humankind. With his beloved wife and young son, he heads north to the land of whale hunters, east into the enemy’s stronghold, and south to a fateful reckoning with destiny.
Not since Dune has there been a work of such majestic scope and conception – a monumental epic of passion, courage and triumph.
My thoughts
Winter in Eden starts almost immediately after the events of the first book, with the humans celebrating their victory in driving the Yilane from their shores. Kerrick, however, is troubled with the knowledge that it will be a short-lived celebration. The Yilane will return in full force, and despite their initial success, the Stone Age humans still are no match for the technologically superior reptiles. So Kerrick takes off on a journey to the Yialne homeland, hoping to find some way of single-handedly turning back their invasion.
Meanwhile, the Yilane Vinate is plotting her revenge against Kerrick, and hopes to lead the invasion force that will reclaim the lost territories. And while all this is happening, a group of peace-loving Yilane flee to the Amazon basin, where they seek to found a society radically different from that of the rest of their xenophobic species. Once there, they make a surprising discovery.
Winter in Eden is an entertaining sequel that nonetheless suffers from some of the “been there, done that” syndrome that plagues most sequels. This time, however, the story lets the reader to explore a larger portion of the world Harrison created, allowing the exotic setting to remain fresh. The story itself isn’t as well-paced as the one in the first book, so even thoughWinter in Eden is 100 pages shorter, it feels like a longer read. And the author had to once again rely on a dues ex machina ending to resolve the desperate situation he put his humans in. Many of the problems with the science in the first book remain in the sequel, althoughHarrison does introduce some interesting twists in evolution this time around.
Nitpicking aside, Winter in Eden remains a worthy follow-up to West of Eden. Most of the plot threads started in the first book are resolved in the sequel, so even if you never read the third book in the trilogy, you won’t be left feeling the story is incomplete.
Trivia
  • The entire trilogy was recently republished, although I’ve never had any trouble finding the original books in used bookstores.
Reviews
  • None

West of Eden by Harry Harrison (1984)

West of Eden by Harry Harrison (1984)

Paperback cover blurb
IMAGINE THE WORLD AS IT MIGHT HAVE BEEN…
THE WORLD WEST OF EDEN
From a master of imaginative storytelling comes an epic tale of the world as it might have been, a world were the age of dinosaurs never ended, and their descendants clashed with a clan of humans in a tragic war for survival.
It is the tale of Kerrick, a young hunter who grows to manhood among the dinosaurs, escaping at last to rejoin his own kind. His knowledge of their strange customs makes him the humans’ leader, the dinosaurs’ most feared enemy.
My thoughts
West of Eden is the start of a trilogy of novels set on an alternate earth where the dinosaurs never went extinct and have survived to the modern day. The asteroid (or comet) that killed off the great reptiles missed entirely, so mammals never got the chance to take over. One group of reptiles, the mosasaurs, have evolved into the intelligent but cold-blooded Yilane. However, humans also have evolved in North America, where the chilly climate has allowed mammals to out-compete the cold-blooded dinosaurs ofHarrison’s world. A coming ice age is forcing the Yilane to spread out to find new territory, resulting in a violent clash between the two species.
West of Eden is essentially a more literary take on One Million Years B.C., althoughHarrison would probably loathe hearing it described it as such. Nonetheless, through the genre of alternate history, he managed to figure out a way to place dinosaurs and cavemen side-by-side and still keep some measure of plausibility in the story (more on that in a bit). The plot isn’t as original as the setting, but it serves its purpose. Kerrick, the main character, is captured by the Yilane as a small boy after the intelligent reptiles wipe out his tribe. He grows up among them, learning their language, their customs and some of their technology, before he is rescued by the leader of another human tribe. The Yilane want to exterminate the humans, seeing them as little more than vermin. Only Kerrick’s special knowledge of the reptiles will be able to save the human race.
What works best about the novel is the Yilane. Harrison spent a great deal of time crafting the species and actually sought out the help of two scientists in designing their biology and their language. Females are dominant, with the males giving birth. Their entire society is defined by their cold-blooded physiologies: They have no concept of metallurgy, because their bodies can’t stand the heat of an open flame, so their civilization is instead based on millions of years of selective breeding and genetic manipulation of other organisms. They make fascinating villains. Still, from a purely scientific point of view, it should be pointed out that the Yilane are impossible given it takes a warm-blooded metabolism to support human-like intelligence. And the species seems a little too alien for anything that could have evolved on earth. Why Harrison chose to have them descend from mosasaurs rather than a land-dwelling dinosaur is a mystery to me.
Given the effort he put into his villains, it’s too bad Harrison didn’t spend any time fleshing out the rest of his alternate world. Instead of having dinosaurs evolve in new and weird forms after 65 million years of evolution, he just plops in creatures known from the fossil record, even if they were already extinct by the time the asteroid came crashing down. The same is true for the mammals, which have evolved into their ice age forms rather than into forms fitting the alien environments they live in. The dinosaurs of Harrison’s world also are depicted as sluggish and cold-blooded despite the fact that other science fiction writers had already embraced more modern theories about active dinosaurs by the time the author was penningWest of EdenHarrison shows a remarkable disinterest in paleontology given the subject matter of the novel, and I wouldn’t be surprised if most of his research of the science came from reading a couple children’s books about dinosaurs.
That said, West of Eden still works as an old-fashioned adventure story with a good sense of wonder. The Yilane are appropriately evil (although they do have good individuals), and it’s easy to sympathize with the Stone Age humans who are trying to avoid genocide at the hands of a technologically superior race. The only let down story-wise is the deus ex machina ending. It’s a book worth reading, even if more science-literate readers will be left wishing Harrison had used a little more imagination in crafting his world.
Trivia
  • West of Eden was republished in 2004, although I’ve never had any trouble finding copies of the book in used-book stores.
Reviews
  • The only ones I can find spoil the ending, so I'm not linking to them.

At the Earth's Core by Edgar Rice Burroughs (1914)

At the Earth's Core by Edgar Rice Burroughs (1914)
Note: This is a review of the e-text version of At the Earth’s Core, so I don’t have a cover blurb. The book cover is from the Wikipedia entry about the novel.
What’s long and hard and full of Victorians? Why a giant drilling machine, of course.

OK, I’m really sorry for the corny joke, but At the Earth’s Core is a pretty corny novel. It was first published in 1914 and kicked off what was to be a lengthy seven-part series set on the inner shell of a hollow earth inhabited by prehistoric creatures and primitive tribes of humans and ape men. The author, Edgar Rice Burroughs, is best known as the creator of Tarzan, a character who would visit the hollow world in the crossover novel Tarzan at the Earth’s Core.

Pellucidar, the name Rice gave to his world, hasn’t enjoyed as much fame as Tarzan, but it has had a surprising amount of influence on pop culture over the years, more because of the unique setting than any merits of the novel.

At the Earth’s Core starts when the unnamed author stumbles across one David Innes in the middle of Sahara Desert. Innes is delighted to finally see another “white man” and relates to the author his strange story: He is the son of a wealthy mine owner who had funded the creation of a giant drilling machine invented by Dr. Abner Perry. Innes and Perry take the machine for a test drive, but soon learn that it’s kind of hard to make a U-turn through solid rock. The machine keeps drilling deeper and deeper, and the two men expect to die, but instead of hitting a molten core, the machine instead breaks through to open air. It turns out the Earth isn’t solid but rather a hollow sphere, with a prehistoric ecosystem thriving on the inner surface of the sphere in defiance of gravity. A tiny sun in the sky provides constant daylight and the horizon curves up instead of down.

Well, things happen, and Innes and Perry soon become prisoners of a race of intelligent pterodactyls called the Mahars. It will be up to Innes to lead the humans of Pellucidar in a revolt against their reptilian masters, and save the girl at the same time.

Had I read At the Earth’s Core when I was 10 rather than the older, cynical man I am now, I might have enjoyed it more. And yes, there are things to like about it. The setting is fun, and the novel is the first work of fiction to feature intelligent creatures evolved from prehistoric reptiles, paving the way for the Silurians, the Yilane, and the Quintaglio. I don’t fault Burroughs’ imagination, but his writing leaves much to be desired. His books are just badly written, with virtually no characterization, horrendous prose and giant leaps of logic in the plot. His heroes are so flawlessly good they can never make mistakes, and there is no situation they can’t fight their way out of, no matter how overwhelming the odds against them. His books get very boring very quickly.

There also is the blatant racism, although Burroughs is hardly the only early 20th century pulp writer guilty of that sin. Still, with few other redeeming values in the work, it sticks out like a sore thumb here.

I know many people have fond feelings for Burroughs, but that has more to do with nostalgia than anything else. My love of paleo-fiction only goes so far, so I won’t be reviewing any other the books in this series. I could barely make it through one – I can’t imagine trying to get through all seven.

All the books in the Pellucidar series are in the public domain. Update: Scratch that. It appears that only the first two novels are freely available. Below are all seven titles, with the Project Gutenberg links to the first two.

At the Earth's Core
Pellucidar
Tanar of Pellucidar
Tarzan at the Earth's Core
Back to the Stone Age
Land of Terror
Savage Pellucidar
Trivia

As I’ve already stated, the Pellucidar series has had a substantial influence on pop culture. The hollow world setting has been used in games, comics, other novels and even a handful of cartoons.More goofelly done in Mike Grells Green Arrow Clonan,in Savage Skartarus-a mixmaster blend of Two Gun Bob Howards Hyborean Age,JRR Tolkein's Lord of the Rings and Pellicidar.
The novel was turned into a 1976 movie of the same name staring Doug McClure. The actor would also star in another Burroughs adaptation, The Land That Time Forgot.Cheaply made ERB spoofs-guilty pleasure movies,so far the best you'll see of the material-so far.
There are a couple fun web sites about Pellucidar and Edgar Rice Burroughs. The first is ERBlist.com, which probably is the most comprehensive site about the pulp author. The other is von Horst's Pellucidar, which has more information about the setting.
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